Source:http://linkedlifedata.com/resource/pubmed/id/14681149
Switch to
Predicate | Object |
---|---|
rdf:type | |
lifeskim:mentions | |
pubmed:dateCreated |
2003-12-18
|
pubmed:abstractText |
The development of Cathedral, one of the first interactive works of music and art on the World Wide Web; the development of new virtual instruments, such as the PitchWeb, that allow listeners to participate actively and creatively; and the possibility that a new form of music is emerging are discussed. This new music, Virtual Music, is a new art form, within a new medium, producing a new type of interactive artistic experience, with the ability to draw in and engage its listeners in the creative process.
|
pubmed:language |
eng
|
pubmed:journal | |
pubmed:citationSubset |
IM
|
pubmed:status |
MEDLINE
|
pubmed:month |
Nov
|
pubmed:issn |
0077-8923
|
pubmed:author | |
pubmed:issnType |
Print
|
pubmed:volume |
999
|
pubmed:owner |
NLM
|
pubmed:authorsComplete |
Y
|
pubmed:pagination |
254-62
|
pubmed:dateRevised |
2005-11-16
|
pubmed:meshHeading | |
pubmed:year |
2003
|
pubmed:articleTitle |
Perceptual and structural implications of "Virtual" music on the web.
|
pubmed:affiliation |
Department of Music, Bucknell University, Lewisburg, Pennsylvania 17837, USA. duckworth@monroestreet.com
|
pubmed:publicationType |
Journal Article,
Review
|